THEMED CALL FOR SUBMISSIONS

Disunion: a state of

cream city review calls for rupture. For the Spring/Summer (50.1) issue, we want fiction, poetry, and hybrid texts that wrestle with the theme of Disunion: a state of, where form follows the fault lines of separation and traces the fractures of our current terrain. We are drawn to pieces that unravel the shifting self, its relationships, and its upheavals. 

Disunion is absence and aftermath, breakage and becoming. We welcome interrogations of dismantling and what emerges in its wake. Show us the ache of severance, pains of distance, and the clarity of exile. How, in its unraveling, might disunion reveal new possibilities and perhaps, an unexpected union. 

• Number of pieces: Please send one story at a time.
• Number of pages per piece: Manuscripts should be no longer than 20 double-spaced pages. Please use Times New Roman font.
• We welcome flash fiction pieces (two pieces, up to 600 words each).
• Format: .doc, .docx or PDF.
• From the editors:  What makes a story memorable? We want lingering, emotional stories that rattle our rib cages long past the last line. We want stories that are sticky in our brains for their excellent imagery choices and their smart constructions. We are always in search of stories that bypass obvious shock tactics—graphic violence, in particular—and instead surprise the reader with their insight, their generosity of spirit, and their bravery of expression. And what makes a story energetic? We’re looking for fiction that’s tightly written and well-crafted. We love stories that know exactly why they’re making the decisions they make in form and experimentation, instead of stories that strive for oddness as an end goal. The way you tell the story should be best and only way to tell that story. We can't wait to read; thanks for trusting us with your words.
• CCR does not accept any work that was generated using Language Learning Models (LLMs) or generative AI.
• NOTE: While we admire and welcome stories that borrow from commercial genres like science fiction and mystery, traditional works in these genres are unlikely to find a home with us.

We accept simultaneous submissions, but please withdraw your submission through Submittable if your work is accepted by another publication.

THEMED CALL FOR SUBMISSIONS

Disunion: a state of

cream city review calls for rupture. For the Spring/Summer (50.1) issue, we want fiction, poetry, and hybrid texts that wrestle with the theme of Disunion: a state of, where form follows the fault lines of separation and traces the fractures of our current terrain. We are drawn to pieces that unravel the shifting self, its relationships, and its upheavals. 

Disunion is absence and aftermath, breakage and becoming. We welcome interrogations of dismantling and what emerges in its wake. Show us the ache of severance, pains of distance, and the clarity of exile. How, in its unraveling, might disunion reveal new possibilities and perhaps, an unexpected union.
 

• Number of pieces: 5 poems at a time in a single file format. Please use Times New Roman font.
• Number of pages per piece: No length restrictions.
• Format: .doc, .docx or PDF.
• From the editors: We aim to elevate and represent a wide variety of authors and poetics at CCR, and as such especially encourage submissions from poets of color, Indigenous poets,  LGBTQ2S+ poets, and poets with disabilities, in addition to whatever other world-views you bring to your life and work. We like strong, vivid images and language that moves the poem and the poet somewhere and take us with them. We like poems that don’t shy away from feelings, or that work towards an understanding of why we shy away from feelings at all. We like energy in our poems, kinetic and potential, and sometimes both at once. We like and encourage experimentation, and poems whose form enriches the content, not only visually, but aurally as well, so send us your weird ways of thinking, feeling, and being in the world—whether that’s a sonnet or an erasure or a form we haven’t even seen yet.
• CCR does not accept any work that was generated using Language Learning Models (LLMs) or generative AI.

We accept simultaneous submissions, but please leave us a note in Submittable indicating which poem(s) you are withdrawing if accepted elsewhere.

THEMED CALL FOR SUBMISSIONS

Disunion: a state of

cream city review calls for rupture. For the Spring/Summer (50.1) issue, we want fiction, poetry, and hybrid texts that wrestle with the theme of Disunion: a state of, where form follows the fault lines of separation and traces the fractures of our current terrain. We are drawn to pieces that unravel the shifting self, its relationships, and its upheavals. 

Disunion is absence and aftermath, breakage and becoming. We welcome interrogations of dismantling and what emerges in its wake. Show us the ache of severance, pains of distance, and the clarity of exile. How, in its unraveling, might disunion reveal new possibilities and perhaps, an unexpected union.
 

• Number of pieces: Please send one piece at a time.
• Number of pages per piece: Manuscripts should be no longer than 20 double-spaced pages. Please use Times New Roman or equivalent font.
• Format:  .doc and .docx preferred, PDF accepted.

Creative Nonfiction: 

• We are open to the full range of creative nonfiction styles, from the lyric essay through the personal to more topical forms.
• We welcome flash nonfiction submissions (two pieces, up to 600 words each)

Essays and Pedagogy: 

• We accept essays on the craft of creative writing; the teaching of poetry, prose and/or essays; and academic writing on all things literary. Please note if your work is an essay in the title of the piece and in your cover letter.
• CCR does not accept any work that was generated using Language Learning Models (LLMs) or generative AI.

We accept simultaneous submissions, but please withdraw your work here if it is accepted elsewhere.

Cream City Review is pleased to announce we have begun accepting works of translation

• We are generally looking for pieces of translation not previously translated into the English language. If the piece has already been translated, we are looking for a departure of form, style and technique.
• You may send up to  one piece of fiction, non-fiction, or up to five poems.
• Please include the source material in your submission, as well as a one page (100-250 words) translator's note and/or annotated translation document
• Submitter is in charge of acquiring publishing rights or copyright permission from source language author. 
• If accepted for publication, translators should provide a short biography of the source language author.
• Manuscripts should be no longer than 15 double-spaced pages. Please use Times New Roman or equivalent font.
• Format:  .doc and .docx preferred, PDF accepted.
• CCR does not accept any work that was generated using Language Learning Models (LLMs) or generative AI.
   

We accept simultaneous submissions, but please withdraw your work here if it is accepted elsewhere.

THEMED CALL FOR SUBMISSIONS

Disunion: a state of

cream city review calls for rupture. For the Spring/Summer (50.1) issue, we want fiction, poetry, and hybrid texts that wrestle with the theme of Disunion: a state of, where form follows the fault lines of separation and traces the fractures of our current terrain. We are drawn to pieces that unravel the shifting self, its relationships, and its upheavals. 

Disunion is absence and aftermath, breakage and becoming. We welcome interrogations of dismantling and what emerges in its wake. Show us the ache of severance, pains of distance, and the clarity of exile. How, in its unraveling, might disunion reveal new possibilities and perhaps, an unexpected union.
 

• Number of pieces: Please submit up to 4 works of unpublished art (work that has not been published in print or selected through a juried process, such as contests). Our artists are often published portfolio-style—if your work is advanced for publication, we may showcase more than one of your pieces.
• Format: Image files (JPG, TIFF or PDF), high resolution (300 dpi or better).
• From the editor: Please visit our Instagram account to get a sense of the type of work we have published before. In addition to 2D works, we are also interested in documentations of installations, social practice projects, earth art, light art, street art, and maker work. We like text art and asemic writing. We’re open to showcasing artists from anywhere in the world, but be sure to let us know if your work has connections to Milwaukee.
• CCR does not accept any work that was generated using Language Learning Models (LLMs) or generative AI.

We accept simultaneous submissions, but please leave us a note in Submittable indicating which works of art you are withdrawing if accepted elsewhere.